But what you see has a membrane behind it which takes you into what I’m calling the mind in here. The front of the house is the face of what I’m calling Flat Time HO. Latham called his house at 210 Bellenden Road, SE15, Flat Time HO, commenting: The sculpture comprises two giant books mounted horizontally as though suspended in a large pane of glass, resembling a shop window, in front of a white screen. It is based on a monumental metal sculpture, projecting from the façade of the artist’s house in Peckham, South London, entitled Flat Time HO 2003. The Swiss photographer Hélène Binet took the photograph from which the print was created. It shows the interleaved pages of two books, viewed close up. The fifth print in the series, Flat Time I-IO (Neg), also makes reference to books. For this project, Latham photographed illustrated pages from a dictionary and other text books, and subjected the photographs to various experiments in the dark-room. The first four images – Tadpole-Taffrail (Tate P79062), Boy-Girl ( P79063), Ben ( P79064) and Presumed Level of Abstraction ( P79065) – derive from Review of a Dictionary, a long-term project that Latham began in the mid-sixties. The suite of prints refers to two groups of works. This is one of a suite of etchings, entitled 5 photo etchings, that Latham produced in collaboration with artHester Editions.
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